The original SansAmp Character Series was introduced in 2008. These pedals commemorated a range of eras within specific amplifier personalities, of which there were 8 in total. By simply twisting a few knobs, you could build the most sought-after tones and hot rod your own. From rare vintage classics to roaring modern icons, every variation was delivered in their own distinctive voicings.
We wanted to broaden the range of tonal options and took that concept a step further to include additional building blocks. Because there’s a certain chemistry between specific pairings that will forever be a part of history. Think Ralph & Alice. Fred & Wilma. Lucy & Ricky. Abbott & Costello. Bonnie & Clyde. They all made a lot of noise and they all had a lot of fun!
With an abundance of knob controls, the 2-channel Character Plus Series pedals are easy to use and feature our proprietary, 100% analog SansAmp technology. You can explore and tailor various eras within each amp style simply by turning a knob. Each continuously-variable Character control sweeps through an entire tonal range, spanning decades of sounds. The Character, EQ controls and speaker simulation are individually voiced to reflect the specific personality traits inherent in each amp style.
Additionally, each of these multi-function pedals is like having a stompbox within a stompbox. (BOGO anyone?) You can use the amp emulation on its own or just the effect on its own.
The Character Plus Series pedals offer significant flexibility and value at a nominal price. Whether you’re frugal or extravagant, you can focus on the one that is your personal favorite or collect them all –and trade them with your friends!
As a stompbox with an amp
As a pre-amp to drive a power amp
Direct to a mixer of a PA
Record direct to your computer
1/4-inch 1megOhm instrument level input
1/4-inch unbalanced low Z universal output
Balanced low Z XLR output
English Muffy = HiWatt-style + Big Muff-style
Range of Character Settings:
Below 12 o’clock yields clean, classic HiWatt-style tones.
Nearing 12 o’clock brings you into crunchier territory associated with ‘70s Who-style tunes such as Who Are You, Baba O’Riley, and We Won’t Get Fooled Again.
Above 12 o’clock accentuates upper mids for Gilmour/Floyd-style leads.
Full up may cause your mate or your lead singer to flee the premises, which could be desirable in certain circumstances.
Independent Muff Section:
SUSTAIN to adjust the overall amount of fuzz.
TONE is a very musical, specialized passive tilt EQ, based on the original ‘60s stompbox design